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Sent Back roll Nose Grab

This is very exciting and this is one of those many jumping moves that many of you learnt during your early steps and adding a glorious nose grab so that it doesn’t look in the slightest stale. In fact may get many of your peers back on the back roll bandwagon. Obviously all grabs are great but a nose grab really stands out as it forces you into a tweak, which just oozes style and smile. Only prerequisite for this is a sent back roll, but if you’ve already got the nose grab jump dialed, things will be very easier for you.

The Jump Pic A

To grab the nose whilst back rolling you’ll need time, and for time read slow back loop rotation. The only way to pull off a fancy slow roll is to get enough height, so the jump is everything. Approach wise you should be coming in on a good edge with the kite either at 11 or 1 o’clock, no higher. Extend your front leg to push your hips back on the board, essential for a controlled back rotation, and even though this will bend your back leg, keep it solid not soft; otherwise you won’t be able to hold the edge against the kite’s pull.

In Pic A the rider’s front leg is straight and her back leg is locked to maintain a solid edge and her derriere is low. With her kite moved into position and her but in the sweet spot she can now send the kite as for a jump and concentrate on resisting the resultant pull and lift with her back leg.

The Initiation Pic B

The way you start your back roll will dictate the entire rotation, so bearing that in mind let’s have a look at when and how the rider get’s things under way. Having resisted with a good edge whilst sending the kite quite hard from 11 o’clock the pull should come early, at about 12 or just after . The Jump As soon as the rider feels the pull she stamps up off her back leg in a popping motion and then pulls the bar in. By popping up into the back loop she can’t lean too far back or bend both legs and therefore can’t carve too hard into wind under the kite, so her rotation will be slower. This is because she is taking off upwind, not already into wind, so she has further to rotate in the air. And by pulling the bar in the rider can immediately freeze the kite above her, preventing it from continuing back as is often the way in sent back rolls. Note that although the rider has carved into this rotation she has not thrown her head over her front shoulder. You want slow and controlled so keep your head looking forward.

Go Early Pic C

It’s the same for pretty much every grab, you have to go for the grab straight off the bat, the longer you wait the less time you’ll have and the less likely you’ll think it’s a good idea, especially when it involves:: bit of stretching and twisting. You can clearly see another advantage of not throwing your head into the rotation. As the rider gets airborne, by looking forward she is actually staring right at the board. This way she can see where she will grab and can prepare for it. The rider lifts her front knee up and across her body, knee towards opposite shoulder and releases her back hand and reaches it down towards the nose – all the while keeping the bar in with her front hand.

The Nose Grab Pic DThe Nose Grab

This is a beauty, and by jove does it suit a back roll. Once you’ve got the nose or toe side edge up front, do actually grab it firmly as it’ll help you pull your front leg in and give you something to push against with the back leg, leading to a wonderful tweak, which you can hold for as long as you dare. Looking at the grab keeps your head between your shoulders, so will keep you rotating slowly.
This is probably a good moment to mention the advantage of giving the kite a decent send for the jump. It’s not just about getting height, but because you’ll spend a considerable amount of time keeping the bar pulled in with only your front hand, the kite will merely move from behind you to slightly in front of you. If you gingerly drift the kite up, by the time you come around your back roll the kite will be way too for forward and pulling you off balance.

The Finish Pic E

If your rotation is controlled and the kite is not too for forward you can hold the grab until just before touchdown. The Nose Grab However looking at your grab and the front of the board will not encourage you to finish off the rotation. To make sure that you complete the 360° and get far enough around landing perfectly you will eventually need to turn your head over your front shoulder to see where you’re going, spot your landing and get the board pointing downwind. When you do release the grab, only release the grab – so keep your knees up and the bar in so that you can dive the kite for landing.

Top Tips

  • Keeping in line with practicalities do start with some back rolls, concentrating on the send, upward take off and slow rotation.
  • Then start to bring your front knee up and across whilst keeping your back leg bent. Once you’re happy with this release the front hand and go for the early grab, which you can hold or touch for just a fraction of a second. Finally build up to a long tweaked hold.
  • Trim your bar and sweet spot in a touch, as it’ll make reaching the shoulder across for the grab more comfortable. And keep your harness tight!

Common Problems

  • If you are over-rotating your back roll and either landing across the wind on an edge or starting another rotation make sure that you don’t carve up excessively during your take off.
  • You should go from the edge that you’ve approached with, and then kick up and around. Also make sure you dive the kite for the landing as this will stop your rotation and pull you off down wind. If you can’t reach the grab, try a few without a back roll.
  • The nose grab is more about bringing your knee up and across under your harness hook, rather than you reaching down for it.
  • If you’re getting pulled forward and off balance by the kite in the air, either crashing or landing nose first. This is a result of the kite flying forward of
  • 12 o’clock, so in the rider’s case towards 11, and can be due to a number of reasons. Firstly make sure your hands are centered on the bar, keep the bar in with one hand without yanking it forward. Make sure you send the kite, the further it goes back, the further it needs to return, so there is a perfect balance depending on your height and kite size.

The sequence

Keystones

  1. Good solid edge with legs resisting
  2. Send kite positively
  3. Pop up into the back roll (not around)
  4. Pull front knee up for early grab
  5. Turn head to complete rotation


Double Back Roll Kite Loop

Hey guys! This week lets rock with double back roll kite loop and find all the possible way to complete this trick.

This one harks back a bit, watching some of the early adopters pulling the trigger on one of these back in the day was a sight to behold, large kite, no depower, heavy mutant strapped to their feet, and serious landings! Fortunately things have moved on and tricks like this are open to anyone and everyone, so certainly worth a bash and a lot of fun – possibly feels better than it looks.

As a prerequisite we would advise that you have a decent back loop, so that you can control your rotation and you know where your kite is, and some experience with looping the kite as you’ll be happier if it turns. Other than that as long as you’re not maxed it’s game on as this move is more about commitment and timing than finesse and technique

The Approach

Pic A. This is a sent back loop, so you’ll need to come in with good speed on a solid edge and your kite no higher than 1 or 11 o’clock. With a good edge you can confidently send the kite hard enough to get sufficient height, happy in the knowledge that it won’t drift too far behind you because the lift will come early. For this same reason you must keep the bar in on the sweet spot when you send the kite. If you let it out the kite will drift further back before taking you up, and the result will be a low and slow kite loop – not ideal.

You can see in image that the rider has speed and is low on as much edge as possible, driving through his back foot to resist the extra pull from his send. This will give plenty of up and keep tension on the lines during the back rotations – important for the moment you pull the bar to loop the kite. As for a normal back loop you should aim to take off with a bit of upward stamp off the back leg as this will also keep the kite above you.

The Approach The Rotation

Pic B. Although this is a double back loop, you don’t want to be throwing a super fast spinning rotation. For those of you who can already pull of a single back loop kite loop, it’s a similar theory. In the single version you only perform half a back loop and the kite does the rest.

Here for the double if we can get one and a half the kite will do the rest. Otherwise you run the risk of over rotating when the kite pulls, which won’t be the most comfortable of landings. Your aim is to rotate at a speed that will get you around 360° by the time you get to the apex of your jump, the higher you go the slower you need to spin. So give the take off a bit more than you would for your normal back loop. Even though you don’t want to overdo it, you do need to get yourself into a position from which you can rotate and maintain balance. Here the rider is already half way around his first rotation. He’s tucked up small, knees up, board close, so that he doesn’t stall or slow down. However his head is still looking through his arms, he’s not thrown it into the rotation. And he has the bar leveled and pulled into the sweet spot, to keep the kite from drifting back and also keep tension on the lines, so that the kite is primed.

Do It

Turbo

Pic C. Assuming that your kite hasn’t drifted too far back you should still feel it supporting/floating you as you come around your first rotation. This is the moment to pull the trigger and loop the kite. If however you feel that the kite is way behind you and that you are already starting to fall, it’s best not to pull. The rider’s momentum is taking him into another rotation. He still has the bar in and is tucked up, so all he has to do is pull in hard on the back of the bar and push away with his front hand. As fun as it is to get as much power out of the • loop, when learning you want it to get around fast so be positive with your bar movement. You can see that the rider has his back hand slightly down the bar, whilst his front hand is near the centerline. This means he can pull easily on the back, and keep the bar on the sweet spot with the front.

Turbo

Pic D. Once you pull be ready for the kite’s power to pull you around. Here the rider has now turned his head to look over his front shoulder. This will help him “go with” the kite as it loops, meaning that he’ll turn slowly as the kite pulls him around. Once you’ve got here you are fully committed, so keep pulling and don’t let the kite pull the bar out and away from you.

Around to Land

Pic E. As the kite goes through its loop and starts to climb, keep the bar in and the kite turning. As long as you keep looking, keep the bar in and keep the kite moving you’ll come around. Once you can see your landing as the rider can here you know you’ve made it. Only thing left is to land downwind and then get back on your edge quickly to get tension on the lines and get the kite back under control.Around to Land

Depending on your height and the speed of the loop, you may need to dive the kite hard to prevent it from overflying behind you!

Top Tips

Before bashing on with this, definitely bang out a few back loops to work out how hard you should send the kite and how fast you should rotate, then you can amp up the rotation a little bit and add the loop.

This move is all about timing. As long as you don’t let the kite drift too far back on takeoff, and pull for the kite loop as you start your second rotation it will work. We’d recommend not trying this too powered up to start with, work your way up in steps, both height and power, as you don’t want to be coming in on your side or back!

Common Problems

  1. Kite drifting too far back during first rotation. Chances are that you let the bar out as the kite started to lift, and/or you didn’t send the kite hard enough.
  2. If you want to tone it down it is better to give a hard but short yank on the bar than to slowly drift the kite.
  3. If you’re over rotating and starting a third back roll you are either pulling for the loop to late, or spinning yourself into the first rotation with too much energy. The quick his is to make sure you pull on your back hand as soon as you start the second rotation as the kite will pull you out of it foss down wind landing.

Keystones

  1. Approach as for a jump
  2. Good send with bar held in
  3. Make yourself small
  4. Pull hard as soon as you start 2nd rotation
  5. Keep pulling and turn head as power comes on

Double Back Rool Transition

Adding together some extra rotation is a sure shot fire way of stepping up a move that you already have mastered, and the double back roll transition is definitely up there as one to learn, so here it is. Although some warning words are here, if you’ve been practicing the double back roll kite loop from last issue, you may require  to rewire your brain and press default as these are two clearly different moves wherein you definitely don’t wish to be confusing. A very good base before starting this is a solid and controlled, BLT, or back roll transition if you’re from across the pond. From this point below is what you will be doing.

The Approach Pic A.

Vital 2 things to remember for any transition are; you have to kill some forward momentum and then you still need to send the kite for lift. You certainly require a good edge for both of these elements. From a good edge you can edge harder upwind to slow down, and with a good edge you can send the kite rapidly and sharply from either 11 or 1 to 12 o’clock because you maintain tension in the lines. If you think about this you won’t drift the kite up slowly whilst standing up on the board and your chances of success will be greatly increased. Please note and also see in Pic A that the rider has come in with good speed on a decent edge, kite at 11 o’clock, weight back and tension in his lines.

From this point the rider has sent the kite up whilst edging harder to both resist the pull, and also to slow down. Even though his back leg is bent it is not soft – it is pushing and therefore resisting.

The Approach

The Rotation Pic B.

A certain element of trial and error with good amount of practice is what required for this part, depending on your standard BLT. In case if you are a recognized exponent of slow, casual-looking back roll transitions then speeding up the rotation to accommodate an extra 360° shouldn’t hold much of a problem. If however you’re guilty of the occasional foray into spinney quick low BLTs, then you’ll need to focus more on your approach and the take-off, in search of more height and float, which added to your spin speed should see you nicely round the full double.

We feel it extremely important to mention here that that you do want to help yourself into the second rotation, but you don’t want to force it as later in the move you can use your head, body and kite to help you finish. The rider I Pic B. has dropped his weight way back over the tail of the board. With his weight so far back the board will turn/carve much further into the wind as it is almost pivoting on its tail. This will efficiently speed up the rider’s rotation as he will carve further into wind before take-off than for his standard BLT.

The important tool here is timing, you must drop back as the kite starts to lift, a fraction before you take off. This way you’ll still edge and therefore be rewarded with some air and float. If you drop back too early you’ll be pulled back and the kite will fly further back in the window, offering you less time in the air to make it round the two times.

Take Off Pic C.

Here comes the key moment, though your approach will dictate how this goes. If you have edged and resisted and literally stabbed the kite back hard but face short time you will be able to pop up off your back leg as you pull the bar in whilst the kite is somewhere close to 12 o’clock.

The rider has pulled the bar right in after popping. The reasons for this are twofold. Firstly by pulling in hard with 2 hands the rider successfully stops the kite moving and keeps it centered above bias around 12 o’clock. Secondly he gets a cheeky bit of extra lift from the kite. However be cautioned if your sweet spot is trimmed miles away from you, your kite will flare/stall and you will not get the float or control that you’re expecting. As he takes off he keeps his head looking forward between his arms, which will stop him over cooking the rotation. Finally the rider in this image lifts his knees, making himself small, balanced and easier to rotate.

Half Way House Pic D.Take Off Pic

By the time you reach to the peak of your transition, your aim is to complete your first rotation, so one on the way up and then one on the way down. That means unless you’re getting great height there won’t be much time to separate the move into two halves.

You are ready and primed to go into number two as you complete the first 360°, it’s the most important thing here. Check images number D. that the rider has lifted his feet above him and has his knees pulled in close. This a little inverted position will make it much simpler to finish the move, as with your feet high and knees in, your whole body, legs and board will follow your head and shoulders as you turn into the second rotation. It is absolutely possible to finish the move with the board down low, however you are far more likely to finish with your head and shoulders, but find that the board has been left somewhat behind – which will hinder your smooth landing. In picture you can see that the rider has started to pull, gently at first, on his left hand (old back hand, new front hand – whichever way you prefer to think). This gentle movement of bar and kite will encourage you to lean back into the second rotation

Turn and land pic- E

Your second rotation will come from a combination of your head and the kite. With your feet up look around and you’ll continue to turn and the rest will follow. You can see that the rider is attentive on where he will land, and as soon as he feels that he is rotating, he dives the kite down hard. The pull from the kite twists him around and powers him up for a down wind landing.Turn and land

One thing which really important is Timing here in this trick , but if you pull too early the kite will end up low with little power and as such you’ll be forced into a late kite loop once you have landed to keep you dry. If you time the dive well, you’ll get the perfect dry landing without needing to loop the kite.

Top Tips

  • Start with some single BLTs, focused on the edge, send, upward take off and keeping the kite above you at 12 o’clock throughout the move.
  • Once you’re comfortable, confident and consistent bring your feet up and go for the second rotation whilst keeping the kite at 12.
  • Once this is in the bag you can dive hard to add the perfect 10 landing! If you’re struggling with the slow rotation, concentrate on the up rather than the spin and approach with less speed and more edge, whilst sending more aggressively – but just for a short moment.

 

Common Problems

  • The most common problem here is implementation the move but landing with the kite so for at the edge of the window that there is no way to get any power to get moving.

  • There are two probable reasons for this. Firstly you’re drifting the kite up rather than sending, so you feel the lift late and the kite has already travelled too far behind you.
  • Secondly as you take off your leaning back onto your back hand, so you don’t stop or even redirect the kite to 12. Concentrate on performing the move with the kite at 12 o’clock and then add the kite dive on at the end.
  • The other famous problem is not having enough height to land cleanly, so you are completing the double but always landing on an edge across the wind with your burn in the water.
  • This can generally be linked with concentrating too much on the rotation and not launching yourself up into the move. Make an effort to pop up into the rotation, and not just carve around into the wind.

Some Keystones

  1. Good solid edge with legs resisting
  2. Send kite positively with confidence
  3. Pop up into the back roll and center bar
  4. Keep Kite at 12 o’clock and lift legs
  5. Turn head at apex and dive kite to complete number two